2015 End of Year Book Survey

2015-end-of-year-book-survey-1024x984

This is by far the most fun I’ve ever had writing a blog post! Big thanks to Jamie, a book blogger over at Perpetual Page Turner, for hosting this end of year book survey. All the pretty graphics are hers; you should really check out Jamie’s site and subscribe!

reading-stats-2015-1024x278

Number Of Books You Read:

45 51

Number of Re-Reads:

Two–See You Later by Christopher Pike and It by Stephen King.

Genre You Read The Most From:

Fantasy and science fiction.

best-YA-books-2014
1. Best Book You Read In 2015?

Adult: Wuthering Heights by Emily Bronte. This book is sheer perfection. I went in thinking it was basically a love story. I had no idea how dark it was. This isn’t a story about love, it’s a story about obsession and revenge, and it is stunningly cruel. It’s also so beautifully written I didn’t want it to end. Not only the best book I read in 2015, but one of my top five favorites of all time.

MG: Locomotion by Jacqueline Woodson. After falling in love with this writer’s poetry in last year’s Brown Girl Dreaming, I resolved to read more from her this year. That included three middle grade novels, and it wasn’t easy choosing just one for this category. All of the main characters in those novels touched my heart, but Lonnie Collins Motion stole it.

YA: The Start of Me and You by Emery Lord. I’d heard so many great things about this book; as soon as my classes wrapped up for the semester, I downloaded a copy and settled in for a day of reading. Which turned into an evening, which turned into night. It’s that good.

I love dark and gritty YA, but it’s important to acknowledge that there are plenty of teens out there who don’t drink, do drugs, party, rebel against their parents, fuel toxic relationships, or have sex. And those teens have worthwhile stories too.

2. Book You Were Excited About & Thought You Were Going To Love More But Didn’t?

Everything I Never Told You by Celeste Ng. This 2014 debut won multiple awards and seemed to be on everyone’s best books of the year list; I was really excited to read it. But there was too much about it that was unrealistic, and it seemed like everyone was selfish, unkind, and over-the-top awful.

3. Most surprising (in a good way or bad way) book you read:

Dark Places by Gillian Flynn. The ending was surprising but not in a good way.

4. Book You “Pushed” The Most People To Read (And They Did)?

I didn’t, but next year I’ll be better about talking up my favorites (hopefully through more reviews!).

5. Best series you started in 2015?

I didn’t start any new series in 2015.

6. Favorite new author you discovered in 2015?

In addition to the books I read this year, I was assigned over 90 short stories to read for my science fiction and horror genre classes. By far, my favorite new authors I discovered in 2015 were from those classes, and I have their full-length novels on my list for 2016.

One is Theodore Sturgeon, whose short story “The Man Who Lost the Sea” was one of only a handful of science fiction stories I didn’t struggle with in some way; it’s just mesmerizing. The other is Conrad Aiken, whose story of a child beginning to suffer from mental illness, called “Silent Snow, Secret Snow,” deeply affected me.

7. Best book from a genre you don’t typically read/was out of your comfort zone?

Alpha by Jacinda Wilder. The first erotica novel I’ve read, and honestly probably the last, but it wasn’t terrible.

8. Most action-packed/thrilling/unputdownable book of the year?

The Castle of Otranto by Horace Walpole. The first Gothic novel–written in 1764–is full of hilariously stereotypical characters and is shamelessly over the top, but it’s pure action and totally unputdownable.

9. Book You Read In 2015 That You Are Most Likely To Re-Read Next Year?

Wuthering Heights. And the year after that.

10. Favorite cover of a book you read in 2015?

The Walls Around Us by Nova Ren Suma. The book is gorgeous too.

11. Most memorable character of 2015?

Heathcliff from Wuthering Heights. 

12. Most beautifully written book read in 2015?

Wuthering Heights.

13. Most Thought-Provoking/ Life-Changing Book of 2015?

Working Days: The Journals of The Grapes of Wrath by John Steinbeck. Steinbeck kept a daily journal while writing his great American novel, and it’s a fascinating read. He suffered badly from imposter syndrome, wracked with self-doubt and even, at times, self-loathing. Yet he kept writing, every day, and his discipline and tenacity are incredibly inspiring. I learned about the journal from this Brain Pickings’ article, and clicking on that article honestly changed my life.

14. Book you can’t believe you waited UNTIL 2015 to finally read?

The Lord of the Rings by J. R. R. Tolkien. Seriously! And I hadn’t seen the movies either, because I wanted to read the book first. Shameful, I know, but I’m all caught up now.

15. Favorite Passage/Quote From A Book You Read In 2015?

For this question, I randomly picked a book and went from there. Here’s my favorite passage from Jacqueline Woodson’s Hush:

If the soul is memory, mine has left me. There’s tomorrow and the day after, and when I get there, there isn’t a yesterday anymore.

16.Shortest & Longest Book You Read In 2015?

Shortest: On the Whole: a story of mothering and disability by Ona Gritz. Longest: It by Stephen King.

17. Book That Shocked You The Most:

Pamela by Samuel Richardson. Because oh my goodness, can you say Stockholm syndrome?

18. OTP OF THE YEAR (you will go down with this ship!)
(OTP = one true pairing if you aren’t familiar):

Paige and Max in The Start of Me and You. Their relationship basically begins with an argument over the merits of various Jane Austen characters, I mean come on. They’re perfect for each other.

19. Favorite Non-Romantic Relationship Of The Year:

Ms. Marcus and Lonnie Collins Motion, in Locomotion. Lonnie is an eleven-year-old foster child who lost his parents in a house fire and is tragically separated from his little sister Lily. Ms. Marcus, his school teacher, inspires Lonnie to express his feelings through poetry.

However, I also adored the bond between Evelina and her guardian, the Reverend Arthur Villars, in Frances Burney’s Evelina. Do I get a runner-up?

20. Favorite Book You Read in 2015 From An Author You’ve Read Previously:

Stardust by Neil Gaiman. I’d previously read two of Gaiman’s books, sure I would love them, but both left me cold. Still, I just knew there was a Neil Gaiman book for me, and I happily found it in Stardust.

21. Best Book You Read In 2015 That You Read Based SOLELY On A Recommendation From Somebody Else/Peer Pressure:

The Start of Me and You. (Peer pressure!)

22. Newest fictional crush from a book you read in 2015?

Detective Guillermo Villanueva, from Carrie Ann Lahain’s Death Times Three.

23. Best 2015 debut you read?

Scar of the Downers by Scott Keen.

24. Best Worldbuilding/Most Vivid Setting You Read This Year?

The Lord of the Rings, of course!

25. Book That Put A Smile On Your Face/Was The Most FUN To Read?

Fortunately, the Milk by Neil Gaiman. I read this one to my 8-year-old, and it was absolutely delightful.

26. Book That Made You Cry Or Nearly Cry in 2015?

Wuthering Heights.

27. Hidden Gem Of The Year?

Death Times Three by Carrie Ann Lahain. Carrie’s a friend of mine, and I’m so proud to know her. Everything she writes is fantastic.

28. Book That Crushed Your Soul?

You already know the answer.

29. Most Unique Book You Read In 2015?

Locomotion, based on the fact that it’s written in verse.

30. Book That Made You The Most Mad (doesn’t necessarily mean you didn’t like it)?

Frankenstein by Mary Shelley, because of the monster that is Victor Frankenstein.
book-blogging

*I left a lot of these questions blank because I realize they’re meant for book blogs and not author blogs. 🙂

1. New favorite book blog you discovered in 2015?

Paige Turner Blog. 

2. Favorite review that you wrote in 2015?

My review of Scott Keen’s Scar of the Downers (posted above).

3. Best discussion/non-review post you had on your blog?

4. Best event that you participated in (author signings, festivals, virtual events, memes, etc.)?

5. Best moment of bookish/blogging life in 2015?

6. Most challenging thing about blogging or your reading life this year?

Finding time. Always.

7. Most Popular Post This Year On Your Blog (whether it be by comments or views)?

8. Post You Wished Got A Little More Love?

9. Best bookish discover (book related sites, book stores, etc.)?

10. Did you complete any reading challenges or goals that you had set for yourself at the beginning of this year?

Nope. My Goodreads Challenge was set at 52 books–one per week, and there’s just no way I’m making that goal. But it’s fine, because when I set the number I didn’t know I’d be in school full time. I’m happy with the 45 51 books I read. (Updated on January 1, 2016.)
looking-ahead-books-2015
1. One Book You Didn’t Get To In 2015 But Will Be Your Number 1 Priority in 2016?

Bone Gap by Laura Ruby.

2. Book You Are Most Anticipating For 2016 (non-debut)?

A Fierce and Subtle Poison by Samantha Mabry.

3. 2016 Debut You Are Most Anticipating?

The Year We Fell Apart by Emily Martin.

4. Series Ending/A Sequel You Are Most Anticipating in 2016?

5. One Thing You Hope To Accomplish Or Do In Your Reading/Blogging Life In 2016?

Read MORE. Especially more YA and more nonfiction.

 

Other Voices

One piece of writing advice you will hear repeatedly—and with good reason—is to put aside your rough draft for a while before starting edits. This is so you can gain perspective on your work. Usually the problem is that after you write something you think it’s fantastic, maybe the best thing you’ve ever written. But sometimes it’s the opposite—sometimes you think it’s the worst.

I felt that way about my story “We Never Get to Talk Anymore.” I wrote the rough draft nearly three years ago, shelved it for a few months, and then reread it. This is terrible, I thought. No one’s going to like Myrna. No one’s going to understand her. Yet another, smaller voice was cheering for her, saying, No, this is good. Keep working on this.

Unfortunately, some stories are that way: no matter how much time you take away from them you cannot gain perspective. Back then I was still shy about asking friends to look over my work, so I struggled on my own trying to decide whether this story had any merit. After submitting it and receiving a swift rejection I felt strangely validated–I knew this was terrible!

I tweaked the story a bit, set it aside for several weeks, tweaked it some more, resubmitted it, received another rejection, and went through the whole cycle again. At no point did I feel truly confident in this particular piece. The fourth time, however, I submitted it to a magazine called YARN, and they would not only publish “We Never Get to Talk Anymore” but nominate it for a Pushcart Prize.

This story that I once thought was the worst thing I’d ever written.

Remember those competing voices in my head? What if I’d listened to the louder one? The quieter voice—the one that believed in Myrna’s story—was right. But often you won’t listen to that voice. Sometimes you won’t even hear it.

What I want to tell you is don’t be shy about sharing your work. Pick two or three writers you admire, and make them your critique partners. Listen to other voices, because when it comes to judging your work, yours can’t always be trusted.

Yes, once in a while a story will come along that perhaps wasn’t meant to be written. Or, more likely, it is simply not the right time for that story to be written. Maybe it really is a mess, completely unsalvageable. Maybe you’re right that it deserves to be permanently shelved.

But maybe you’re wrong.

Moving On

Image from Flickr by wonderlane

Image from Flickr by wonderlane

October has come and gone, my favorite month of the year. We had more trick-or-treaters than ever before, many of them teenagers, which was fun—they always scream the loudest when our jumping spider leaps from behind the hibiscus tree, and I don’t have to worry about them bursting into tears afterward.

I stayed quiet on this blog throughout October, but it was a month of deep reflection that led to two important decisions in my life—one I can share with you now and one I can’t, although I hope to soon.

Two weeks ago I turned in notice for my “day job” working part-time as a nurse; I’ve been moving in a different direction for some time now. Technically I’m still employed on a pool basis, meaning I can pick up shifts if I need to, and I’ll continue helping out with the end-of-month paperwork that I’ve always enjoyed. Still, the decision to resign my scheduled position feels momentous; I’d worked there for over eleven years.

My last day on the floor was yesterday and my co-workers were amazing, bringing donuts, ordering pizza, and shoving cupcakes in my face. Literally. Several of them wanted to know if I had another job, and I told them that for the next six months my job title is “full-time student.”

If that sounds indulgent, it’s not—believe me. This return to college has been incredibly fulfilling but also more difficult than I ever imagined. From personal issues that had me reeling in June to ridiculously ill-timed computer issues this fall, I’ve overcome some wild challenges and feel both overwhelmed and proud. It’s hard to believe in four weeks I’ll be one semester away from graduation.

In addition to school, I’ve been writing and editing like crazy, and submitting widely. On November 14 I’ll be reading a new essay at Scottsdale Museum of Contemporary Art, and I hope you can make it. The event starts at 2 p.m., it’s free, and several other writers will be sharing their work. It would be wonderful to see you there.

Also, in case you missed it, author Scott Keen interviewed me for his blog a few weeks ago and asked some great questions, including one about my current project What Was Never There; you can read the interview here.

Finally, good luck to my fellow writers participating in National Novel Writing Month! Of course I’m in, what’s one more project, right? After the last six months, I feel like I can take on anything.

The Key to Getting Through Rejections

Image from Flickr by Brenda Clarke

Image from Flickr by Brenda Clarke

This morning after dropping the kids off at school, I headed to Xtreme Bean Coffee Co., determined to catch up on the one class I’ve fallen behind in (one out of five—not bad, right?). I ducked into the dimly-lit vault (the building was formerly a bank) and planted myself in a corner, vowing that after I checked my email—just this once!—I’d focus only on reading my assigned short stories and scribbling annotations on a legal pad.

Good thing I checked my email. The instructor had sent out a notice postponing the due date for the assignment by one week. And I needed that, because what I really wanted to do today was write a blog post.

Most of you who follow me here are writers, and writers never get tired of talking about one thing—rejection. I’ve written about it before, and how rejections usually don’t bother me. But yesterday I received one that bothered me a lot, and I want to tell you why so you don’t make the same mistakes I made.

The first mistake was letting my number of pending submissions dwindle down to one. Don’t do this. It’s important to keep multiple submissions going so that you don’t pin all your hopes on one single response. There have been times when I’ve received acceptances for stories that I’d nearly forgotten were out there because I had so many circulating, and that’s a nice feeling.

My other mistake was believing that a long response time meant something. Twice I’ve had stories take longer than usual to come back, and when they did it was with personalized notes from editors encouraging me to send more, and admitting that it had taken so long because the work had been carefully considered (although ultimately turned down).

In the case of yesterday’s rejection, it took nine months to arrive, and having previously submitted to this magazine I knew they were pretty good about sticking to their ideal turn-around time of three months. So at about the half-year mark I started envisioning my little story being passed up the chain of editors, all the way to the top, and my hopes climbed too.

But sometimes the reason for a longer than usual response time is simply this: the editors are buried beneath their slush piles. When that happens it’s very likely that all you’re going to get after nine months or even a year of waiting is a form rejection. Which is what I got yesterday.

Which is okay. The key is not to wait.

In case you missed it, my short YA piece “We Never Get to Talk Anymore” was published last month in YARN, a fantastic magazine publishing literature about young adults, and also by young adults. Check it out and let me know what you think!

Celebrating Today

Image from Flickr by Will Clayton

Image from Flickr by Will Clayton

I love secrets. And birthdays. And new beginnings. So today’s kind of perfect.

Today I turn 40, and I’m so excited about this decade of my life. In my 20s I became a mother, the most important thing that’s ever happened to me. In my 30s I had a wedding, another baby, and became a published author. Life has been good to me, but I have dreams left to chase, like

  • earning my English degree. Today I am two semesters away from graduating from ASU, having returned this summer to complete my bachelor’s degree. I should graduate in the spring.
  • publishing more books. Today I collected my first winner’s badge from NaNoWriMo, having “camped” out this month—in secret ;)—to write my third book. In April, I wrote my second book, which I’ll be revising next month.
  • changing careers. Today I go to work for a job I started when I was 29; I’ve loved working there and will probably continue for a few more years, but in my heart I know I’m meant for a career in writing, editing, or teaching.

There’s so much more to look forward to as well: seeing my children graduate from high school (!!!), reading hundreds of new books, and blowing out the candles on many more birthday cakes.

But for now, I’ll just celebrate today.

Camp-Winner-2015-Web-Banner

Now You See Me

Photo from Flickr by 4nitsirk

Photo from Flickr by 4nitsirk

First drafts are not meant to be read. They are clumsy and embarrassing, filled with trite dialogue and bumbling prose, riddled with clichés.

I’m working on a first draft now. It’s terrible, I promise. You will never, ever see it. If the book happens to get published and you should happen to read it, it will look completely different from the current version because that’s how this writing thing works. That’s why writers love our editors, and why the art of writing is in revision. That’s why a first draft is not meant to be read, and if it is, the writer should never be judged by it.

Especially the first draft of a first novel.

I can’t share with you any portion of my debut novel’s early drafts because my contract doesn’t allow for that, but here are the beginning and ending paragraphs of an essay called “Memorial Day.” It was published in Literary Mama in 2012, years after I began working on it. These paragraphs were the most difficult; I’m including the final versions–which I’m proud of–followed by earlier versions, which are at best boring and at worst embarrassingly bad.

Final draft: My son was born on Memorial Day, a day of muted celebrations, reserved to honor loss. It was a fitting end to a difficult pregnancy. I spent most of it wrapped in a cocoon with my four year old, binding myself to her with fine threads of guilt. Where would love for this baby come from, if not cut from Abbey’s share? How hard would she fall, when the center of her world shifted? Would my daughter’s first broken heart be ascribed to her own mother?

Rough draft: My son was born at the end of May, and his arrival into the world marked a period of fulfillment and loss. It was a tough pregnancy. I spent most of it wrapped in a cocoon with my first child, savoring each moment with her as I prepared to become a mother of two. I worried about Abbey. For five years she had been my whole world. Now that world would have to accommodate another child. Would I love him as much? Would Abbey feel betrayed? How can a mother divide her love equally between two babies?

Final draft: Finally, I washed his hair. My hand cradled his soft skull, marveling at its fragility, memorizing its shape. I swaddled him in a warm towel, then pressed him to my chest. “Gabriel,” I whispered, but my throat locked against the words. I’m sorry it took me so long. I was too overcome with relief at the familiar guilt that bound me to motherhood once more.

Rough draft: Finally, I washed his hair. My hand cradled his soft little skull, marveling at its fragility, memorizing its beautiful shape. I lifted him and wrapped him in a warm towel, then pressed him to my chest. Knowing at that moment that a mother’s love was drawn from a limitless expanse; like time, it was immeasurable and boundless. “Gabriel,” I whispered, feeling tears of guilt and relief. The guilt felt pretty good.  It meant I truly felt like my son’s mother.

Note the clichés and sentimentality in those early versions. “Savoring each moment.” “She had been my whole world.” “Drawn from a limitless expanse.” “Memorizing its beautiful shape.” Ugh, right?

That’s okay. In a first draft a writer is just getting the ideas down and if she stops to think I can’t put that on paper, it’s cheesy and sounds ridiculous, then she loses the moment, the idea. Going over it later, she plucks out the cheesy phrases, or her editor does. And then they work together and keep refining, out of respect not only for the craft of writing, but respect for you. The reader.

So if you should happen to read a first draft of something, like a beloved classic novel, and you feel shocked and perhaps betrayed that the writing is common and trite and not the brilliance you thought came naturally to the author, think instead how hard she worked, maybe for years, to bring you the version she knew you deserved.

Good writing’s not supposed to be easy.

 

What I Wish I’d Known about Publishing a Book

Image from Flickr by Stacey Green

Image from Flickr by Stacey Green

Today marks the one-year anniversary of The Fourth Wall’s release, and boy have I learned a lot about marketing in that year. While I still feel incredibly lucky to have had a book published, I know I’ve made mistakes trying to get that book into readers’ hands. Here are some things, if given the chance, that I’d do different:

I’d focus my early efforts on getting book reviews. By early April I had an ISBN, a Goodreads page, a cover, a title, and a release date, which is all I needed to send requests to book reviewers. But I didn’t know that—I thought I needed the ARCs (advance review copies) on hand before even asking for reviews. So I waited until I had them, which was mid-May, less than a month before my publication date, and I quickly learned that wasn’t enough time for the many reviewers who only review books before they are published.

I’d make a much bigger push for preorders. I’m terribly insecure about Facebook posts blasting news about my book, so I basically gave myself an allowance of one post per news item. For example, when I received my bookmarks, I posted one picture. When I received my actual books, I posted one picture. Determined not to aggravate my friends or set myself up for ridicule, I stuck with this rule even when The Fourth Wall went on sale for preorders. And one post was not enough.

I’d hire a publicist. Seriously. Even to just help me put together a media kit and make that initial push for interviews and speaking engagements, until I’d built my confidence. I spent countless hours wringing my hands over how to put together a press kit and how and where to send it out and did it ever happen? No. I felt paralyzed by all of the choices and overwhelmed by all I didn’t know, and I’m convinced that a publicist would have been worth hiring to guide me through that.

While there’s a lot I could have done better, here are the things I did right:

The book launch party. Of course, I can’t take all the credit for this—most of it goes to Changing Hands Bookstore and the many friends and family who made the launch party a success. Bookstore events can go either way; it’s difficult to predict whether fifty people will show up, or only five (kind of like your kid’s birthday party). I told myself that if it was only five, I’d make the best of it, but the turnout was great and it was truly a magical evening.

The blog tour. Yes, they’re worth it. I think a third of my reviews are direct results of the blog tour, and The Fourth Wall got a lot of exposure with those fourteen blog posts. Also, writing posts on lucid dreaming and answering dozens of interview questions about themes, characters, and inspirations renewed my excitement for the book itself—not the publishing of it or the marketing behind it, but the ideas and dreams that inspired me to write it in the first place.

I always said yes. Although I couldn’t quite find the courage to seek out speaking opportunities, I never turned down any offer that came my way. When Phoenix New Times asked for an in-person interview, I said yes. When my son’s teacher asked me to come and speak to a class of second graders about being an author, I said yes. And when the activities director at the skilled nursing facility where I work asked me to come speak to the residents about The Fourth Wall, I said yes.

That event/signing took place yesterday by the way, and the host, Gayle, was so gracious and asked such wonderfully unique questions that I didn’t even get a chance to feel nervous. Plus, she served cake.

If you’re an author, is there anything you wish you had done differently in terms of marketing?

 

 

 

 

 

How Sweet the Silence

I read something the other day about how we have a better chance at accomplishing goals when we keep them to ourselves.

That struck home, because the first time I wrote a book I didn’t tell anyone. Not my kids, not my husband—not until I had a completed first draft. Back then my youngest was three years old, so it’s not like anyone was asking, “What do you do all day?”

Since that novel was published, however, I’ve struggled to write the next one. I’ve started several, and if you follow me on social media, you’ve probably heard about them, because like most of us on social media I’ve fallen into the habit of publicly announcing my hopes and dreams almost from the moment they’re envisioned.

This doesn’t work for me.

Sometimes there was good reason my plans fell through. I joined National Novel Writing Month (NaNoWriMo) in November 2013 ready to pen my next novel. I told everyone. And then I got content edits back for The Fourth Wall, and spent the rest of the year knee-deep in edits.

The early months of 2014 were devoted to “preparing for launch”; I’d never been through the publishing process before and had a lot to learn. But by March I thought, Okay. I’ve done all I can do and now I’m just sitting here waiting for a publication date.

So I joined Camp NaNoWriMo on April 1, ready to pen my next novel. I told everyone. And on April 2—yes, really—I received the email with my publication date. Two months away.

Now—one year later—I’m going to tell you what all authors know and most don’t talk about for fear of sounding like ungrateful jerks: once you’re published, everything becomes harder. Your reasons for writing get lost and what you swore you wouldn’t care about—the numbers—becomes all you care about. And then it’s hard to keep going, because the numbers will break you.

I didn’t bother joining NaNoWriMo this last November. Instead, I read throughout the fall and then all winter long, and when people asked me what I was working on I usually told them the truth: nothing much.

But something happened recently, on April 1, to be exact. On that day I made a last-minute decision to join Camp NaNoWriMo, ready to pen my next novel. I told no one. And I ended the month with 30,000 words toward this new book.

So, what’s my book about? I’m not telling. 😉

Not yet.

What I’ve discovered is that keeping quiet about my works-in-progress has enormous benefits for me. For example, if I’d announced on April 1 that I was starting a novel, I may have been completely deflated three days later when I realized I wasn’t writing a novel at all, but a rather long short story. Still, no one knew my original plan; I could change it and write a book of short stories if I wanted. All that mattered was that I was writing again.

So that’s what I did. Last month, I quietly wrote a book of short stories.

I know. It’s impossible to get a short story collection published unless half have already appeared in The New Yorker, or you’re famous, or whatever.

But what if I didn’t know that? Like a scrappy pilot once said while navigating an asteroid field, “Never tell me the odds.”

Or what if all that really mattered was the sense of accomplishment that comes with creating something you can be proud of? That’s where I started, and finally that’s where I’ve returned.

I’m proud of these stories, I can’t wait to tell you about them, and sometime very soon—I promise—I will.

Book Review: Scar of the Downers by Scott Keen

ScarDowners_CVR_SML

I know. Gorgeous cover, right? The book is fabulous too.

Scar of the Downers is Scott Keen’s debut novel, and I received a copy in exchange for an honest review. Here is more information on the book–including where to buy it–and my five-star review. (The stars are there–you just can’t see them.)

Paperback: 274 pages
Genre: MG/YA Fantasy
Publisher: WiDo Publishing (March 10, 2015)
ISBN-13: 978-1937178635

Review: Crik and Jak are Downers, children branded with the mark of slavery and trapped in the oppressive city of Ungstah. Their master, Kilvar, owns a grungy shop where the boys are forced to work during the day selling stolen merchandise; in the evenings they scavenge for food. As long as they’re home by dusk they’re safe from the Ash Kings, phantom beings released each night from the smoky pit in the center of the city, beings that roam the streets in search of victims doomed to a searing, charred death.

In a village named Arined a devoted father, Talorc, sets out on a journey to avenge his son Andevin. The village blacksmith and his young apprentice join Talorc, and throughout their journey the reader learns the history and legends of Ungstah and the Ash Kings. The reader also learns that Talorc is not simply out to avenge his son, but to complete an important mission which will decide the fate, and maybe the freedom, of Crik and Jak.

I enjoyed this fantasy novel very much, particularly the uniqueness of it and the way Keen threads the history of his world throughout the story instead of condensing it in the first chapter. Crik is a likeable hero, scrappy and tough, a little too impulsive at times, a little too mistrustful at other times. He is, above all, dedicated to Jak and assumes full responsibility for the younger boy. Crik’s desire to protect Jak is both touching and sad—there is only so much he can do in the face of hunger, poverty, and the regular beatings from their cruel owner.

Another thing that stands out in Keen’s world is the depiction of poverty—the dirt, the lice, the caked fingernails, the grime-coated shop windows. I appreciated these details, and the overall sense of place. When you read about Ungstah, you feel like you’re there, slinking through its dirty alleys with Crik and Jak.

Fans of Middle-earth will recognize where Keen pays homage to Tolkien, especially in the adventures of Talorc. I really loved these scenes; there is such easy friendship and natural dialogue between the three men. And again, the slow unfolding of this world’s myths and legends was very well done.

Scar of the Downers is available in print and ebook at Amazon, and in print at Indie Bound, Books-a-Million, and Barnes & Noble.

About the Author:

Scott Keen grew up in Black River, NY, the youngest of three children. While in law school, he realized he didn’t want to be a lawyer. So he did the practical thing–he became a writer. Now, many years later with an MFA in script and screenwriting, he is married with four daughters, two of whom he homeschools. He blogs at http://www.scottkeenbooks.com.

IMG_6555

See all the stops on Scott Keen’s blog tour here.

New Beginnings

Image from Flickr by AmyLovesYah

Image from Flickr by AmyLovesYah

Gabriel’s teacher recently invited me to talk to her second grade class about being an author. She had read my novel and, having particularly liked the first pages, hoped I could frame a discussion around word choice and the importance of beginnings.

I had all sorts of thoughts about how this would go. At their age I’d already fallen in love with language and kept a notebook filled with favorite words. The meanings of words mattered, of course, but even more intriguing were the sounds they made.

And when the sounds matched the meanings, like in “chime” and “thick” and “secret”? Well, that was pure magic.

So I thought I’d talk to the kids about my notebook, the excitement of discovering new language, how I’d open the dictionary to a random page, scan the possibilities, sound out syllables and make crucial choices about which gems to inscribe in my little spiral notebook (the lines more blue than green, the margin line more pink than red).

This would lead to a discussion about word choice, because authors must not only love words but love them enough to choose them wisely.

Which would lead to a discussion about the importance of beginnings.

Good plan, right? But in the end none of that happened, because the kids led the discussion. All I had to do was read the first page of The Fourth Wall, and then the students responded with a flood of questions.

They asked me how I felt writing the book at sentence level, how long it took, when I knew I wanted to be an author, and so on. And then the teacher directed them to write their own beginning, a single paragraph, with an illustration. After maybe fifteen minutes, the kids began to share their work.

Their stories varied widely. Some had magic, some had monsters. Some were cliffhangers, some complete tales. Some had detail and others were straightforward and concise.

Gabriel’s story involved a machine—complete with levers and buttons and compartments that held some sort of mysterious dye.

One girl wrote in third person about a child who wondered what two mean girls, whom she described as friends, really thought of her. While reading aloud, she accidentally switched to first-person narration and abruptly stopped. She looked confused and went to erase something on her paper, murmuring to her teacher that she’d made a mistake. Her teacher said it sounded fine, and the girl quietly finished her story.

When it was time to line up for the bell, kids kept sneaking over to talk to me. A blue-eyed towhead, who’d said the first page of my book scared her because she doesn’t like monsters, told me, “Now I want to be an author like you.”

Another girl, who is always outspoken and precocious, asked me boldly for the name of my publisher and their email address.

As you can imagine, my heart was pretty much soaring at this point. I loved hearing the kids’ stories and seeing their starry eyes and answering their surprising and sometimes adorable questions, all starting with “Miss Elizabeth?” I loved how my son held my hand firmly on the way out of the classroom. And I loved how, on the way to parent pick-up, one of the boys skipped up to me and asked me this last question of the day:

“Miss Elizabeth?”

“Yes?”

“Will you tie my shoe?”